For more than fifty years, Aperture magazine has been unrivalled in its excellence and critical acclaim. And, as photography and the medium grew, so too did the Aperture Foundation, expanding to include the subsequent publication of books, limited edition prints and portfolios, traveling exhibitions, and an educational program that includes lectures and panel discussions with artists, curators, and other key players in the field of photography.
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No, it is just that immigration was just not portrayed on TV and in the press at the same scale. But before that, during my many trips to Algeria, I spent time socializing with friends in bars or at dinners and we would always crack jokes. Eighty percent of their jokes were about terrorism in the s. So, following my interest in oral history and art and resistance, I started collecting verbal jokes.
I believe that this form of humor was developed to combat fear and death by poking fun at the terrorists and at the government.
It was a release mechanism, as well as a communication tool to disseminate the political events of the time. The cartoonists were taking huge risks that they might become targets themselves. On October 5, , Algeria saw a revolution similar to the Arab Spring. Youngsters went into the street protesting against social injustice.
They were shot brutally by the government of the time. A new government was formed and it authorized a private press. This decision led to the creation of countless newspapers in both Arabic and French, and they were benefiting from a freedom of speech never seen before.
Some died, others fled to other countries, mainly France. Zined Sedira, Dead End , While you were working on this piece, the attack on the French satirical newspaper Charlie Hebdo happened in Paris, on January 7, Did this have an impact on the way you were looking at your caricature project? Or did that make it more difficult to show?
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Yes, it was more difficult to show it. The project was meant to be exhibited in Paris in , after almost ten years of research. Much of it was a criticism of terrorism and how the Algerian government dealt with it. Some people thought the Muslim community would be hurt by the project; others were worried about terrorists possibly harming me. Sharjah is also fighting terrorism so the project is relevant to their context, too.
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The country has a particularly difficult relationship to its colonial past, mired in collective amnesia and denial. Do you think things are changing? Sometimes it feels like we take one step forward, and then two steps back. Since the terrorist attacks in Paris, there has been a regression in the way French Algerian relationships are perceived, especially since some of these attacks were carried out by French Algerians or French Moroccans.
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France has no real interest in looking at why this is happening. This can help reduce the effect of hand-shake and is especially useful for capturing the cute faces and expressions of kids indoor. This can create a feeling of intimacy to your photos, and is perfect for taking photos of kids, family, gatherings and everyday happenings. Related Articles Random Articles Wide Angle Prime Lens for Easy Street Snapshot When it comes to street photography, prime lenses with 35mm or 50mm focal lengths are the traditional choices of lenses due to benefits of an easy-to-carry compact size and a perspective close to that of the human eye for more candid result.
Add to My Favourites. Depth of field is a significant concern in macro photography , however, and there one sees smaller apertures. The focal length value is not required when comparing two lenses of the same focal length; a value of 1 can be used instead, and the other factors can be dropped as well, leaving area proportion to the reciprocal square of the f-number N.
If two cameras of different format sizes and focal lengths have the same angle of view , and the same aperture area, they gather the same amount of light from the scene. In that case, the relative focal-plane illuminance , however, would depend only on the f-number N , so it is less in the camera with the larger format, longer focal length, and higher f-number. This assumes both lenses have identical transmissivity. Most SLR cameras provide automatic aperture control , which allows viewing and metering at the lens's maximum aperture, but stops the lens down to the working aperture during exposure, and returns the lens to maximum aperture afterward.
With a small aperture, this darkened the viewfinder, making viewing, focusing, and composition difficult. Many such lenses incorporated a feature known as a "preset" aperture,   which allows the lens to be set to working aperture and then quickly switched between working aperture and full aperture without looking at the aperture control. A typical operation might be to establish rough composition, set the working aperture for metering, return to full aperture for a final check of focus and composition, and focusing, and finally, return to working aperture just before exposure.