They may not sit on their own within the auditorium.
The Inheritance of Sickle Cell Anemia.
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Even in buttoned-up Britain, it reduced theatregoers to sobs. One bold liberty Lopez takes is to make E. Forster himself a character. Matthew Lopez and his husband, Brandon Clarke, a private-school administrator, live in a spectacular penthouse residence atop a new luxury building in Fort Greene, Brooklyn. The apartment, which they have rented since , has lofty ceilings and a vertiginous terrace, towering above farm-to-table restaurants and picturesque brownstones. It is the kind of place a Hollywood location scout might select to signify the apogee of metropolitan sophistication.
For Lopez, the view is more personal. From his windows, he can see both the Fort Greene housing projects, where his father, who is Puerto Rican, lived as a child, and Greenpoint, where his mother, who is of Polish-Russian descent, grew up. Lithe and compact, he curled up in an armchair across from an open kitchen, which Clarke had decorated with a vase of quince branches. In the course of two days, Lopez spoke for hours at a stretch, with clarity and unguardedness; having spent years in psychoanalysis, he is practiced in poring over his experiences.
Lopez, the older of two brothers, felt like a misfit from his earliest years. The city was also racially bifurcated between black and white, which left no place for someone of Latino descent.
How Matthew Lopez Transformed “Howards End” Into an Epic Play About Gay Life
Lopez was attracted to men, but tried to push this knowledge away. The dawning of his sexuality coincided with the AIDS epidemic. While still underage, he started frequenting the only local gay bar, hanging out with drag artists who performed there.
Lopez attended college at the University of South Florida, in Tampa, where he majored in theatre. He now has a good relationship with his parents. Lopez has a heightened consciousness of belonging to a generation of gay men that has lived through a sea change: his cohort is old enough to remember the experience of being homosexual as a secret, and perhaps a shameful, identity, yet young enough to have escaped a lifetime in the closet.
Or, if they do, it seems as commonplace as making dinner plans. Not many.
The play also offers validation of the different forms that love between men can take. Only a stunted soul would not rise, soar, and expand to it. Lopez says that, because of AIDS , embracing his sexuality entailed accepting an inheritance of grief. But this mourning felt abstract. Stephen is infected. He screams in pain at the slightest touch.
Scott is in Paris, hoping to get HPA Brandon is dead. Matthew is dead.
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You only know the negative space. Like Helen, who acts on sentiment, Toby is impetuous and often inconsiderate. Burnap plays Toby with a manic, exhilarating energy: he dances, stripped to a Speedo, at a rave in the Pines; he caustically challenges Morgan for hiding his sexuality. Forster, beloved by all the world. And secretly the gayest daisy in the field.
Toby, who initially appears to be a man of effortless confidence, has in fact strenuously constructed that identity. The actors were gathered at tables arranged in a horseshoe shape. The principal cast of the London production is being imported to Broadway virtually intact, and there was an atmosphere of fraternal reunion, as well as a sense of excitement that the play was finally coming to New York, where it belonged. It broke her heart when I went to Yale.
Two-Part, Gay-Themed The Inheritance Will Play Broadway | Playbill
A new play, generations in the making. Drama Play. Buy Tickets. About this show.